Francis Greenslade

Where there is Micallef, there is sure to be Greenslade. Francis has been Shaun’s most prominent and ubiquitous co-star since they met in 1981 at Adelaide University in the Footlights Club. Since then Francis has been the perfect comic foil to Shaun’s uptight characters on "The Micallef P(r)ogram(me)", "Welcher & Welcher", and "Micallef Tonight". We loathe to use the term "side-kick" as it seems to denigrate the contributions Francis makes as a performer. That and we have never actually witnessed him kicking Shaun in the side, which is probably why they both get along like Vitawheats and Vegemite! (Note: I wanted to compare them to peanut butter and jelly but Cyn told me that was ‘too American’).

Yet Francis’ acting work expands well beyond the Micallef Universe. With extensive credits** in live theatre, other television programs, and now starting to embark on film roles, it befuddles us how such a prolific and talented actor remains so under recognized. We wanted to know more about Francis, so we sent out the SMOWAH gorilla to capture him and subject him to interrogation. This is what Koko came back with:


It's a common perception that you were studying law at Adelaide Uni when your partnership with Shaun began, but it's our understanding you were actually studying at the Conservatorium. Can you fill us in more on your background and how you got involved with the Footlights Club?
I started a Law/Arts degree and after the first year got bored with the extreme tedium of the Law part and switched to pure Arts. At the same time I was studying recorder at the Conservatorium as a single studies student. A friend from school had joined Footlights the year before so I auditioned for the next show. It was an appalling audition and ended with me trying to sing Herod's Song from Jesus Christ Superstar while simultaneously playing it on the piano.I was told to stop, but such was the dearth of talent at the time that I got in to the show which was called "Have you checked the Children?"

My most vivid memory of it is that Shaun and I would both, independently, arrive for rehearsals at the theatre about an hour early and have to mooch around outside until someone came to unlock it.

Are you from an artistic family?
There is some thespianism on my mother's side. I have an uncle several times removed who was "Lucky" in the first English production of "Waiting for Godot", my father drew and painted very well, my sister plays the violin in a band and one of my daughters is learning the recorder.

So, no not really.

Had you always aspired to be an actor or did you accidentally discover it?
I had always been fascinated by the stage - my first role was the parlourmaid in a school production of "Pygmalion. I never thought that it was a realistic career choice but at Uni I did less and less work and more
and more theatre until I was completely unequipped for anything except the life of an unemployed actor.
Not so much a deliberate decision as a refusal to do anything else.

What drew you to comedy in particular?
You don't get much choice in the parts you are given to play. So generally comedy is just what people ended up casting me in.

Do you have a preference between live theatre work, television, and film? Do you find one medium more satisfying than the others or do all three offer you something unique as a performer? 
I haven't done much film. Theatre is more generally more challenging but much more poorly paid. Television can be extremely boring because of the technical requirements - you wait around for hours for lights to be set and then you have no time to rehearse. 

On the other hand TV can be enormous fun and you only have to do it once whereas if you're in a bad play you have to do it over and over again which is probably the worse torture. 

When I was on Full Frontal I would sometimes go home in the evening having spent the whole day doing nothing except wearing a silly hat and standing in the background in one sketch. It was well paid but then some of the theatre you do, you're singing, dancing, playing an instrument - using everything you have, but then you can’t afford to buy lunch.

What is the complete list of musical instruments you can play? Do you have a favourite?
I play a number of instruments mediocrely - Keyboard, clarinet, accordion, guitar, ukulele and recorders. The only one I really play at all regularly is the piano. I find if I take out my accordion nowadays, my children start to cry.

Do you have any musical ambitions beyond the playing you do as part of your acting work? 
Not really. I love playing on Shaun's shows and elsewhere and some of the extremely simple stuff that I have done with Shaun I did actually compose. I am especially proud of a song about Zebras that we did on Full Frontal and a song whose chorus starts - Grongle Grongle Wheedle Wheedle, that we did as "The Marat Pack" which was a group we formed after Uni. However keen observers would probably observe that they are the same. But the music for Shaun's shows is composed by the incomparable Yuri Worontschak.

Is there any role or performance in your career that you look back upon and cringe slightly?
There are too many bad performances for me to go into in any depth. There was a motoring journalist who got sexually turned on by cars on a show called "Get a Life" which fortunately only got seen on cable. The others I have wiped from my psyche.

Is recording audio books an enjoyable process? Of the books you have narrated, do you have a favourite?
Narrating books is one of the few jobs I do where I always go to work looking forward to the next few hours. It does require a bit of concentration but it's also very meditative. Generally the better written the book is - the easier and more rewarding it is to read. It's quite hard to make a trashy thriller sound good even if it
reads well.

What is your opinion of the current crop of Australian comedy?
They're all fine lads and ladesses whose only fault is a reluctance to employ me more often.

What accounts for the longevity and the success of your partnership with Shaun Micallef?
I have been performing Shaun's material for over 20 years now, so I think I know it pretty well. For me, the most important thing in his writing is the rhythm of it so I try to do it in that rhythm and I resist put anything into it other than what is there. 

As for why he keeps employing me - you'll have to ask him.

 

When working with Shaun, what kind of input do you have into the material being written and performed?
Not much, I'm just the actor that does the lines. I do have some latitude to create stuff in performance, but my attitude is how to make the lines work rather than how can I make the lines better.

It appears as though you have been pretty game as an actor to do almost anything in the name of comedy. Was there ever a sketch idea or character you refused to do?
I have bucked at a few things - if my characters name is Francis then I think I have to be a bit careful of what I do since it's easy to confuse the character and the actor. But my standards as to what I will do are
pretty low I think.


What's your favourite Micallef P(r)ogram(me) sketch?
"Meat Boy" from the first series. I read the sketch the week before and didn't think much of it but when I saw it I literally fell off my chair. It's the funniest sketch over the whole three series. 

There were some sketches from Full Frontal that I did with Milo Kerrigan where I was unable to do straight faced. 

And one very, very strange sketch where Shaun plays a masseur with very long arms who may or may not be from outer space that I found unable to perform with out giggling.

What current music, television shows, and films do you enjoy? Any that you dislike with a passion?
I love "Malcolm in the Middle". I think that's the funniest show on TV. The Dad on that treads such a beautiful line between completely over the top and yet very disciplined.


A very big and heartfelt thank you to Francis for participating in the Q&A. We'll hire you any day because we think you are GREAT!!!! 


**A selection of Francis' credits

Film

- Take Away (2003) - Innkeeper

Television

- Fergus McPhail (2004) - Eric Sponge (episode 1.2)
- Micallef Tonight (2003) - Himself
- Welcher & Welcher (2003) - Peter/Paul Cohen
- Marshall Law (2002) -Gavin Duffy (episodes 1.4, 1.8, 1.14, 1.16)
 -Introducing Gary Petty (2000) - Edwin
- The Micallef P(r)ogram(me) (1998,1999, 2001)- Various Characters
- Blue Heelers - (1997) Shane Thompson (epidsode 4.15), (1999) John Waterson (episode 6.36, (2001) John Turner (epidsode 8.13)
- Pigs Breakfast (1999) - Martin Green
- Water Rats (1999) - Ken Martin (episode 4.2)
- SeaChange (1998) - Simmo
- The Games (1998) - Emmanuel Murdoch (episode 1.11)
- Shaun Micallef's World Around Him (1996) - Todd Nugent
- Full Frontal (1995) - Various Characters
- Ultraman: Towards the Future (1990)
- T
heatresports (1987) - Himself

Full Television and Film Credits at The Internet Movie DataBase

Theatre

Melbourne Theatre Company

-Things We Do For Love
- Urinetown
- Man the Balloon

State Theatre Company

 - Navigating

Playbox Theatre Company

- Babes in the Wood
- Chilling and Killing my Annabel Lee
- Waking Eve
- Competive Tenderness

State Theatre Company of South Australia

- The Club
- School for Scandal
- Cosi
- Accidental Death of an Anarchist'
- Marat/Sade
- Comedy of Errors
- The Tempest

Audiobooks

To the dark tower by Victor Kelleher
Bachelor Kisses by Nick Earls
The game of the goose by Ursula Dubosarsky
The virtual realities triliogy by Claire Carmichael
Headgames by Nick Earls
Princes by Sonya Hartnett
Death delights by Gabrille Gabrielle
The Gizmo again by  Paul Jennings
The Gizmo by Paul Jennings
Sink the Gizmo by Paul Jennings
Come back Gizmo by Paul Jennings
Originator by Claire Carmichael
48 shades of brown by Nick Earls

More Audio Book information at Louis Braille Audio and Bolinda Books 

Things you may not have known about Francis:

- Was born in the Solomon Islands

- Appeared on "Blue Heelers" three different times as three different characters

- Won Best Speaker at the World Debating Championships in 1988

-Was president of the South Australian Debating Association and contributed to the the Australian Debating Handbook (Click HERE for a transcript of a debate Francis moderated in 1997)

- Shares a birthday with Lindsey Buckingham, Gwen Stefani, and Stevie Ray Vaughan (October 3rd)

 

Return to the CastMates Index